Vocal effects have come a long way since the days of reverb chambers, tape delays, and the autotune explorations of Cher and T-Payne. As the effects have become more advanced and nuanced, vocal production has become a recognizable aspect of a singer’s tone, in addition to their vocal qualities. It’s hard to imagine T-Payne’s voice without the autotune (though we can hear it, and it’s … Continue reading Vocal Production for Singers: Using Layering and Effects to Shape Your Sound (Part 1) // Kelly Hoppenjans