As voice teachers, we commonly work on how the voice sounds, feels and how to produce the sound necessary to create a beautiful tone that can be reproduced consistently without difficulty and strain. We as a community are starting to embrace teaching techniques that allow for health, well being and good sound production within modern music styles and singing practices. We are no longer afraid … Continue reading The Importance of Rhythm in Singing Modern Black American Music Styles // Alison Crockett
Please stop creating positions for popular musics voice teachers in your mostly classical voice department if you’re not going to provide the students with the full range of resources and training they really need to be successful in these genres. Will they be required to write and sing their own songs as part of their lessons? Will there be songwriting professors on faculty to help … Continue reading Before you create that popular musics voice teacher position… // Jess Baldwin
A cursory glance at any reputable website or book on the history of American popular music and one can almost taste the creamy goodness of America’s music. From the mostly religious music of native Americans, to the folk music of immigrants from England, Spain, and France, to musical traditions and polyrhythms brought to American shores by enslaved Africans that laid the foundation for American popular … Continue reading A Commercial for Commercial – What’s the Objective? // Wendy Jones
Dr. Trineice (creator of Soul Ingredients® and author of So You Want to Sing Gospel) shares some fantastic wisdom with us about the ways academia can helpfully structure programs for singers of CCM genres, how she found her own voice and helps others find theirs, and ways we can be mindful of potential appropriation. Transcript: Jessica Baldwin:Hey everybody. I am Jess Baldwin, and this is … Continue reading Teaching CCM Styles, Finding Your Voice, and Appropriating Styles…and Yourself // Dr. Trineice Robinson-Martin
If you need some help getting online teaching set up, here are some resources we’ve found. Continue reading Online Teaching Resources
Contemporary Voice Specialist Kat Reinhert discusses her research and thoughts on CCM training and Popular Music Artist Development in higher education. Continue reading Expanding the Circle: CCM and Popular Music in Higher Ed // Kat Reinhert
A summary of data gathered in the Commercial Music Degree Surveys conducted by Jess Baldwin, Kat Reinhert, and Matt Edwards in 2017.
Continue reading Commercial and Popular Music Degree Program Surveys
How can we provide peer connection, adjudication, and competition opportunities for our young popular and commercial singers?
Continue reading A Call for Student Opportunities